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There is also a generic subplot about a straight couple that contributes nothing to the main plot.
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The issue of him being gay and living with an overtly religious mother is not explored either. It was a mixture of bad acting with the film rushing the relationship. The film is too short, and the relationship between José and Luis didn't feel real to me. Although the cultural elements of the film were very truthful and real, the plot itself didn't feel fully developed. Every gay man in Guatemala city knows the kind of sleazy motels he visits downtown in the city with the guys he hooks up with. The way the main character of Jose has to sneak out of his job to hook up with men because he lives with his mom is 100% accurate. I really liked this film and would recommend it.Īs a gay man from Guatemala, this film spoke to me on several levels. The way the film ended was unexpected, but when I thought about it, I realised that this, or a similar ending, was unavoidable. The grind and monotony of daily life kicks back in though. The moments of physical love, despite the occasionally sordid nature of the locations are happy and joyful. The actors and settings are totally realistic. We take things for granted in the west about openness and acceptance, but these are not options in Jose's world. It doesn't matter - there is no "plot" as such, just events that unfold linearly but not necessarily consequentially. Things happen, such as a theft of equipment from the mother and a phone from the lover, that are not followed up in this film of fleeting episodes. The story follows the protagonist through work, his love life, his relationship with his mum and other family members. I sometimes wonder what time it is during a film or how much longer we have to go. The film is shot in a raw, gritty style, but that suits the environment the characters live in. Other references are to a civil war and an earthquake, both of which killer a great number of people, but may be extraneous to the main theme of choices in life. Rather crucial to the story is the frequency mothers may hang on to their youngest children to avoid being alone (there is a reference to Jose's sisters).
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Unfortunately, references to Guatemalan culture and history could be lost to foreigners. The director and writers spent time in Central America interviewing subjects, and this is a composite of their research. I saw this film at the Inside Out LGBT film festival, with a Q+A with the co-writer. When offered chances for a long-term relationship, Jose has a battle between love and loyalty to his mother. Jose's sexual release is with men in a hotel that rents rooms by the hour. Jose is the only child who is still living at home with his mother, with both having to start a commute before dawn to their respective jobs. It's not a great film, but I think it's better than that.
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I enjoyed watching the movie on the large screen, but it will work well enough on the small screen. My compliments to the festival organizers for bringing the movie to Rochester. This was the film's New York State premiere. It was screened as part of Rochester's great ImageOut LGBT Film Festival. (Not just Guatemala.) We saw this movie in Rochester's wonderful Dryden Theatre at The Eastman House Museum. That's apparently why the film was episodic-it was based on something that really happened to someone in Latin America. As the credits to the movie were rolling, we learned that each episode was based on a real event that happened to one of the many people to whom the filmmakers spoke. She knew that something was happening, but she didn't appear to know what it was. It wasn't clear to me whether or not she knew José was gay. She only has two loves in her life-José and the Evangelical church to which she belongs. His mother also leads a marginal life, because she's selling food without the proper license, and she gets driven from spot to spot by the police. Being gay in Guatemala is dangerous, so that adds a definite level of tension to his life and to the film. José is gay, but his life would be hard if he weren't gay.
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It's more of a series of vignettes strung together because José is in them. The movie doesn't move forward with a traditional plot. Manolo Herrera plays Luis, José's lover, and Ana Cecilia Mota portrays his mother. The movie follows José (Enrique Salanic) as he goes about his marginal life in urban Guatemala. José (II) (2018) is a Guatemalan film co-written and directed by Li Cheng.